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HEDBOX UNIX-4X V-Mount 4 pin DC Cable out, XLR, 3x D-TAP, USB
HEDBOX UNIX-4X V-Mount 4 pin DC Cable out, XLR, 3x D-TAP, USB
-28 % 3 860,00 Kč s DPH 2 290,00 Kčbez DPH2 771,00 Kčs DPH
Skladem
Atomos Sumo19 SE production Monitor-Recorder and Switcher S
Atomos Sumo19 SE production Monitor-Recorder and Switcher
- Výrobce
- ATOMOS
- Záruka
- 24 měsíců
- Kód
- ATOMSUMSE1
- Dostupnost
- 2 pracovní dnyK dodání v pondělí 06.01.2025
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- Běžná cena
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Popis
Dotyková obrazovka HDR (1200 nit), dotyková obrazovka DCI-P3 (P3) Barevné provedení, vysoká kvalita, Apple ProResRAW s rozlišením 6Kp30 a robustní a vysoce kvalitní design pro 19. kvalitu obrazu Set . S více jednoznačnými vstupy se můžete dostat k Umschalten and Aufnehmen jedes ISO-Streams bis 1080p60 verwendet a XLR-Anschlüsse v plném rozsahu pro profesionální Audio-Workflows.
Aufzeichnung bis zu 6Kp30 ProRes RAW
Schöpfen Sie mit dem Sumo 19SE das wahre Potenzial von SDI-RAW-Kinokameras aus. Durch die Aufzeichnung in Apple ProRes RAW s 6Kp30, 4Kp60 DCI/UHD and 2Kp240 DCI/HD or die Aufzeichnung in CinemaDNG mit bis zu 4Kp30 DCI bleibt die ursprünhaltenmera Date Qualität Sumo 19SE je kompatibilní s fotoaparáty Sony FS-Serie, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT a další.
10-bit ProRes a DNxHR/HD až do 4Kp60
Video z kamery nebo digitálního videa k dispozici přes SDI nebo HDMI aufgezeichnet werden. Nehmen Sie bis zu 10-Bit 4:2:2 v Apple ProRes nebo Avid DNxHR kodeky při 4Kp60 auf. Mit der Unterstützung für mehrere Eingänge über SDI bietet der SUMO 19SE die Möglichkeit, bis zu 4 x Eingänge aufzuzeichnen und unterstützt außerdem ProRes LT und DNxHD 36 für längere auf.
Lichtstarke & HDR-Überwachung
Mit 1200nit Helligkeit, 19 Zoll, 1920 x 1080 and 10-bit-verarbeitung in einem robusten Gehäuse ist der SUMO 19SE and isdem Ort zu Hause. SDI-a HDMI-Eingänge unterstützen eine Vielzahl von Eingängen and bieten eine Cross-Conversion of Signals with 4K>HD-downconversion-Optionen.
Live-Vierkanal-HD-Umschaltung und -Aufzeichnung
Zeichnen Sie bis zu vier 1080p60-Streams gleichzeitig (nur über 3G SDI Level A) als samostatné ISO swie einen fünften "Programm"-Kanal Ihres umgeschalteten Feeds auf, während cueentzeitten Sie in Echentzeit Zeigen Sie nebo resultierenden Gemischten Ausgang (přes HDMI nebo SDI) live am Set an or verwenden Sie ein HDMI-auf-USB-Capture-Gerät, um den umgeschalteten Feed for das Live-Streaming auszugeben. Das Umschalten erfolgt asynchron, tak dass keine teuren gesperrten Quellen benötigt werden und auch preiswertere Kameras verwendet werden können, die keine Timecode/Genlock-Eingänge unterstützen.
Dva symetrické XLR-Stereo-Eingänge se 48 V
Die XLR-Anschlüsse in voller Größe mit 48 V Phantomspeisung ermöglichen den Anschluss von zwei externen Mikrofon se symetrickým analogem Audio aufnahme und -überwachung. Der SUMO 19SE verrfügt außerdem über dedizierte Messgeräte, Verstärkungsregler und Einstellungen für die Bildverzögerung auf jedem Kanal. Mikrofony Line-Level-Audio jsou k dispozici bez synchronizace s HDMI a SDI-Quellen.
| Sumo unit, Master Caddy II x 1, AC power supply, Batt Wing with mount screws (no battery plates), 2 x Feet with mount screws New pannel P3 Quantum dot color 19” HDR All SUMO19 Accesories ale compatible with SUMO19 SE! |
ZÁKLADNÍ VLASTNOSTI:
- 1920 x 1080 Touchscreen Display
- 10-Bit FRC Monitor Processing
- HDMI 2.0 and 12G-SDI Inputs/Outputs
- 1200 cd/m² Brightness
- HDR Mode with 10-Stop Dynamic Range
- High Bright Mode for Rec. 709 Viewing
- 4K up to 60p / 1080p up to 240 fps
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- 12-Bit Raw Recording from Select Cameras
- Records to 2.5" Master Caddy Media
| Weight | |
|---|---|
| Without batteries, media & stand | 5.45kg / 12.0lb |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction | Aluminium alloy chassis with built in armor protection |
| Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
| Power | |
|---|---|
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
| Input voltage (battery) | 14.4V nominal |
| Battery time | Depends on Watt Hours specification of battery used |
| DC In | 1 x DC in (12 - 16.8V) |
| Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
| Touchscreen | |
|---|---|
| Size | 19” |
| Resolution | 1920 x 1200 |
| PPI | 120 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1200nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Raw Record | Sony FS5/FS7^^/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT CDNG 4K DCI; 24/25/30p 10/12 bit 4K UHD; 24/25/30p 10/12 bit 2K HD; 100/120p 10 bit 1080 HD; 100/120p 10 bit Arri Alexa Mini .ARI* 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p |
| Raw to ProRes / DNxHR | Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50*/60p 2K DCI; 100/120/200/240p 1080 HD; 100/120/200/240p |
| Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
| Headphone Out | 3.5mm |
| Built-in Speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock | Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
